Storytelling “with”

L’Arche storytelling puts belonging, diversity, and inclusion at the centre to help us “imagine the world differently.”

By John Guido with Jonathan Boulet-Groulx and Dr. Pamela Cushing

The classic L’Arche story (told by an assistant) goes something like this, “Every week Sally and I go out for a coffee. When I’m with Sally, I feel accepted just as I am. It’s changed my life.” Every assistant who hears this story goes, “I know just what you’re talking about!” Everyone else thinks, “I’m not sure I get it, but these L’Arche people sure are special.”

In L’Arche, we love stories and have a strong storytelling culture that goes back to our founding. However, our stories don’t always have the impact we want:

  • L’Arche can be focused inwards and our stories often make sense only if you know the people or have similar experience.
  • L’Arche words sound like a foreign language to people outside L’Arche.
  • Sometimes, we tell stories without sensitivity to the history of how people with disabilities have been portrayed.
  • Sometimes, we tell stories about or with people without finding out how they might choose to tell their stories.
  • We can be too busy and don’t have the time to learn how to improve our skills and practice storytelling.

Jean Vanier has a gift for telling stories, stories about sharing life with persons with intellectual disabilities that make a deep connection with people. The stories aren’t really about disability but about encounters between people that teach us about being human, living with our vulnerabilities, and flourishing. Today, we’re called to build on this legacy, to find creative ways to tell stories with and by persons with disabilities that speak to the hearts and minds of the people we encounter.

Co-creating the Story

At L’Arche, we believe in the power of community art that supports each person to discover and develop their unique voice while working together on collective works. With his partners in L’Arche Arnprior and L’Arche Joliette, Jonathan Boulet-Groulx created short videos to share this vision of creative collaboration in photography and in all types of storytelling. Jonathan is a photographer, blogger, and video maker who has lived in L’Arche Haiti and worked with L’Arche Quebec and Canada.

Jonathan says, “It’s all about putting inclusion at the centre of the process” so that each person can develop their skills and discover their passion through creative teamwork. This process includes exploring different media and styles, looking at others' work for inspiration and to see what each person likes. Once people identify their interests, they learn techniques and develop their abilities.

Jonathan cautions that this way of working takes time. It means listening to every person’s ideas, taking the time to understand why a small detail means so much to the person. It may be the very detail that will bring people into the story and allow them to connect to the character. Once all ideas have been heard, there is a process to identify the story the team wants to tell, what ideas really serve that story, and which ideas may become their own stories. The goal is not perfection, but a story that connects to people and has impact in their lives. And that’s good enough!

Imagine the world differently

This tagline from the L’Arche International #AsIAm series reveals our goal to help people reimagine the place of persons with disabilities in society. In future months, we will hear from storyteller Michael McDonald about what he is learning about the co-creating process, cultural diversity, and telling stories with persons with disabilities. We are also part of this conversation in Canada in the values campaign and in many communities. We will also share what other storytellers are discovering.

We have work to do! Dr. Pamela Cushing is the Coordinator of the Disabilities Studies program at King’s College at Western University. At a retreat for L’Arche assistants, she named the challenge, “The public needs your stories. People with developmental impairments who cannot represent themselves in words need you to tell your stories about living with them. There is a dishearteningly small pool of positive cultural scripts out there about people with disabilities. If there are not good stories out there, how can we be surprised that the public imagination is so negative? Stories that do exist often idealize or romanticize the person so they are not seen as credible.

By ‘positive’ stories, I do not mean to imply that your stories should be all happy and upbeat – that kind of one-dimensional representation is not helpful. Your stories can have a powerful influence on the public imagination precisely because they are ‘polyvalent’ – they have many sides and range across diverse emotions. I have heard assistants tell stories that bring people to tears because they are so genuine – they blend acknowledging the hardships that the impairment entails with other elements like the hope that can still show forth, or the way that others can aggravate those hardships through exclusionary acts, or with humour at life’s complexity… But almost all of your stories convey an image of members with intellectual disabilities as real, complex people – just like everyone else.”

A Hero Behind the Scenes

Beyond firefighters, medical staff, social workers and police officers, the COVID-19 pandemic has taught us that there are even more heroes among us. Truck drivers, grocery store clerks, cooks and couriers now rightfully hold an esteemed place in our collective consciousness as they put their health at risk to keep society functioning.

From Hyderabad to Lethbridge Who Would’ve Thought?

After Roop Chittineni finished high school in his hometown of Hyderabad, India he moved to Southern Ontario to pursue a degree in Kinesiology at the University of Waterloo. He liked exercising and thought that if he learned more about the human body he could use that knowledge to elevate everyone’s life experience.

Memory Box: Pinewood Floorboards

What does a set of 1940s floorboards have to teach us about COVID living?

Stepping Up

When Canada’s Chief Public Health Officer stated that non-medical masks limit the transmission of COVID-19, L’Arche Saskatoon’s artsy residents also got to work. Out came the fabrics, scissors, thread and needles. Brock wanted to contribute using two of his greatest assets: his feet.

A Light Ahead

The social distancing caused by the pandemic has been trying. Thankfully, aside from those who have donated their time, money and ingenuity to help L’Arche, there are the health care workers, grocery store clerks and all those on the front line who are helping the L’Arche community get through this crisis. With their help, it won’t be long until the Gathering Place opens again and the community starts making new memories.

Second Life

Kris first met Joanna in L’Arche London, Ontario. She encouraged Kris to join L’Arche, and he did. They lived and worked side-by-side for six years until Kris moved to Nova Scotia. Still, they managed to see each other a few times a year and occasionally called one another about matters of life and faith. But this call was different.

The Gift of Dance

Dance is a profound gift; it’s an artistic expression, a mood enhancer, a workout, a surefire way to impress a date and a form of magic. A dancer can transform into a flower, a lion or their favourite pop star. Above all, dance is an act of joy. (We dare you to wiggle around for a minute and not feel happier than you were before.) The gift of dance, and all it provides, has found its way into L’Arche.

Life’s Tough Obstacles

It was late June. A park in Edmonton had been reserved. Food was stacked on picnic tables. Local students of all ages were dressed in taekwondo uniforms, preparing for their annual Break-a-thon. The Break-a-thon is an innovative fundraiser where martial arts students showcase their skills by breaking boards. For each broken board, donations are pledged and raised for L’Arche.

Taking our place in the inclusion movement

It is an important time for the accessibility and inclusion movement in Canada and the world, and L’Arche Canada is developing our capacity to take our place.

Silent encounter with the “man who repairs women”

Denis Mukwege begs us empathetically to remain attentive, to listen deeply to what is inherent in our human condition: our sensitivity and vulnerability.